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A Field Guide to Getting Lost, by Rebecca Solnit
Get Free Ebook A Field Guide to Getting Lost, by Rebecca Solnit
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Whether she is contemplating the history of walking as a cultural and political experience over the past 200 years (Wanderlust), or using the life of photographer Eadweard Muybridge as a lens to discuss the transformations of space and time in late 19th-century America (River of Shadows), Rebecca Solnit has emerged as an inventive and original writer whose mind is daring in the connections it makes. A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit's own life to explore issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery.
- Sales Rank: #2416966 in Books
- Published on: 2017-02-21
- Released on: 2017-02-21
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l,
- Running time: 5 Hours
- Binding: MP3 CD
From Publishers Weekly
The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American captivity narratives to the avant-garde artist Yves Klein. She interlaces personal and familial histories of disorientation and reinvention, writing of her Russian Jewish forebears' arrival in the New World, her experiences driving around the American west and listening to country music, and her youthful immersion in the punk rock demimonde. Unfortunately, the conceit of embracing the unknown is not enough to impart thematic unity to these essays; one piece ties together the author's love affair with a reclusive man, desert fauna, Hitchcock's Vertigo and the blind seer Tiresias in ways that will indeed leave readers feeling lost. Solnit's writing is as abstract and intangible as her subject, veering between oceanic lyricism ("Blue is the color of longing for the distance you never arrive in") and pens�es about the limitations of human understanding ("Between words is silence, around ink whiteness, behind every map's information is what's left out, the unmapped and unmappable") that seem profound but are actually banal once you think about them.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
This meditation on the pleasures and terrors of getting lost is-as befits its subject-less a coherent argument than a series of peregrinations, leading the reader to unexpected vistas. The word "lost," Solnit informs us, derives from the Old Norse for disbanding an army, and she extrapolates from this the idea of striking "a truce with the wide world." It's the wideness of the world that entices: a map of this deceptively slender volume would include hermit crabs, who live in scavenged shells; marauding conquistadors; an immigrant grandmother committed to an asylum; white frontier children kidnapped by Indians; and Hitchcock's "Vertigo." Solnit imagines a long-distance runner accumulating moments when neither foot is on the ground, "tiny fragments of levitation," and argues, by analogy, that in relinquishing certainty we approach, if only fleetingly, the divine.
Copyright � 2005 The New Yorker
From Booklist
One can literally get lost in a city or the wilderness, or one can lose one's self, one's memories, one's spiritual grounding, one's way through the labyrinth of love. And by getting lost, much can be found. Lannan Award winner Solnit, a penetrating cultural historian, has written books about landscape, the wild, art, and activism. Here she ponders the Zen of getting lost in a lithesome essay collection. Using the evocative color blue as a polestar, she roams from her roots in Bialystok to the Great Salt Lake and beyond, entwining autobiography with musings on exile, how photographs both create and displace memories, captivity narratives, urban ruins, music, the death of a friend, the "deterioration of the local," and the brief, bright life of artist Yves Klein. Solnit not only thinks innovatively and writes beautifully, she also trips the wire in the mind that hushes the static of routine concerns and allows readers to perceive hidden aspects of life, thus opening up new inner vistas for us to explore, even to the point of getting blissfully lost. Donna Seaman
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
Into the Blue
By Jimmy Neenan
The social perception of loss is denotatively and connotatively negative. It's a word we associate with the agonies of death, the frustrations of deprivation, and the erosion of what was into what is not.
To lose is to succumb to the fate that awaits us all--the diminutive sense of depletion and reduction. Solnit, though, disagrees. In her stunning collection of essays that make up A Field Guide to Getting Lost, for Solnit, loss is a transformative force, rather than a negative one--a powerful impetus for change that moves into the world of the liminal--the spaces between moments rather than the spaces that constitute moments.
Relying on notable figures ranging in discipline and trade from Henry Thoreau, Conquistador Cabeza de Vaca, and Parisian performance artist and judo extraordinaire Yves Klein to pull her through from a state of solidity to that of the fluid, that of the blue itself--Solnit walks us through landscapes and worlds that are altogether foreign and exotic, to strangely convey the most familiar landscape of all--change.
Solnit alternates between the constant imagery of the solid, the grounded, the ideas that allow us to plant ourselves in the constant--only to transition into that of the "blue"--that of the ethereal and atmospheric, that of the liminal. Every other essay is titled: "The Blue of Distance" allowing for discussion of the philosophical means of the color blue as an aesthetic principle and metaphor of fluidity--the intent of which is to bring us into the space between relinquishment and acquisition--giving and taking.
More than a simple collection of essays, where Solnit succeeds is in the connection to the personal. We create ourselves through our association with others, picking and choosing tidbits of cultural ephemera we deem appropriate to absorb into our own lives--to make our own--making Solnit's viewpoint wholly relatable. She almost takes the form of overt autobiography. Association with Solnit's points becomes inherent.
Although, the collection seems sporadic at times--the essays jump and move and transition like a child hopping from puddle to puddle mid-rain storm--hence the exploratory milieu, making the readability erratic. A singular essay can cover topics ranging in breadth from her own home life, the world of the Conquistador and pre-colonial United States, to the diminishing microbes of our environment, and the death of the desert tortoise. It's fascinating and intriguing, but at times comes across disjointed.
Nevertheless, A Field Guide to Getting Lost is a philosophical treatise on the idea of flux--the essence of the middle, and the spaces between places in which our bodies and psyches transition to worlds and climes that are foreign and beautiful. The book is a success in that it reminds us, yet again, that the only constant in life is change.
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9 of 9 people found the following review helpful.
Collection Good but not always coherent
By Gregorio
My favorite book by Solnit is Wanderlust:a History of Walking. I enjoyed these essays but found myself getting lost at times. They would have benefited from some editing for focus and clarity.
3 of 3 people found the following review helpful.
I love this book for many reasons
By jessmina
I love this book for many reasons.
We all know that writing is a form of art and I love this book because Rebecca Solnit takes the art of writing to another level to the point where her readers actually DO GET LOST in her work. I honestly did not read this book from start to finish because I believed there was no need to. After the first few chapters I was fully satisfied and struck deeply by her words. This book is not coherent and it is fragmented with stories and I think that is a depiction of what life is like. There is no linear passageway and sometimes our lives walk amongst crooked paths before they can become straight again and I feel that her writing style mimics that idea.
Just buy the book and stop reading it when you feel lost. It'll be worth the journey.
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